The Next Generation: Strength, Vision & Legacy
2025 NAIDOC Week marks a powerful milestone: 50 years of honouring and elevating Aboriginal and Torres Strait Islander voices, culture, and resilience. The 2025 theme, "The Next Generation: Strength, Vision & Legacy," celebrates not only the achievements of the past but the bright future ahead, empowered by the strength of young leaders, the vision of communities, and the legacy of ancestors.
The NAIDOC journey began as a movement for recognition and rights, sparked by Aboriginal and Torres Strait Islander communities who saw a future built on justice and equality. Over the decades, it has grown into a powerful national celebration, a testament to the enduring strength of Aboriginal and Torres Strait Islander peoples. In commemorating this 50-year legacy, it is also looking forward, honouring the next generation who will carry the torch, shaping the future with courage, insight, and deep respect for our roots. Guided by the wisdom of Elders and the groundwork laid by forebears, each NAIDOC Week reinforces the vision for an Australia where Aboriginal and Torres Strait Islander voices are not only heard but lead the way.
From this solid foundation, the next generation will rise—grounded in the strength of Elders, history, inspired by a shared vision, and committed to building a legacy of unity, respect, and self-determination for all.
This NAIDOC Week marks not only a milestone but a living movement—one that continues to thrive, adapt, and inspire, powered by the enduring strength and resilience of Aboriginal and Torres Strait Islander peoples. Just as the legacy of culture, knowledge, and spirit has endured and been passed down from ancestors and Elders for 65,000 years, it will be carried forward by future generations, ensuring a vibrant and empowered future for all Aboriginal and Torres Strait Islander communities.
Next Generation- Strength, Vision & Legacy - Palawa and Pakana
Here are just a few of Lutruwita’s Next Generation of deadly Palawa and Pakana people that are featuring in TasTAFE’s 2025 NAIDOC Week event displays.
Djuker Willis Hart
A proud knowledge sharer, Djuker Willis Hart is a cultural guide and creative. He has committed himself to learning about all aspects of Indigenous culture so that it may be preserved and passed on to future generations and the broader community.
Djuker, whose name means ‘keeper of the tribes’, has become a leader in his community through his work as a creator of cultural objects and experienced performer of both traditional and contemporary Aboriginal dance. In particular, he is sharing his cultural knowledge through his work as a tour guide with Hart Cultural Connections.
Djuker is dedicated to growing the presence of Indigenous culture in tourism in Tasmania and Australia more broadly, and empowering his community, inspiring pride in and through culture. He advocates for others through mentorship and employment opportunities and aims to provide a safe space for cultural learning and appreciation, fostering understanding and respect within and between communities.
He says he always enjoys performing traditional dance and challenging himself to come up with something new, and that it makes him feel connected to his history.
“Dancing is a big part of my life. My father was a performer so for me it’s a way of keeping connected with that side. I get a lot of pride out of it.”
“It also helps me teach the young fellas. I teach them dance, it’s another part of being able to put people in the right areas and help them find pride in different things.”
By championing culture with pride and purpose, Djuker is not only leading by example but also cultivating respect and understanding within and between communities across Tasmania and Australia.
Learn more about Djuker's work on the Hart Cultural Connections- Palawa Business Hub
Read more about Djuker
Bron Dillon
Bron Dillon is a proud palawa woman with deep cultural roots and a powerful commitment to her community. As the CEO of wayti Culture and Knowledge, Bron plays a vital role in strengthening cultural identity and connection to Country for both Aboriginal and non-Aboriginal people. Her work is grounded in cultural practice, community empowerment, and intergenerational learning.
At the heart of Bron’s contribution is her role as a knowledge keeper, teacher, and cultural artist. She practices traditional shell stringing and basket weaving—skills passed down from her Elders—and shares these with others as a form of healing, education, and celebration of heritage. Through her leadership at wayti, she curates and facilitates immersive cultural experiences, such as camps, workshops, and educational programs, designed to deepen understanding of Aboriginal culture and support truth-telling.
Bron’s efforts extend beyond professional settings. As a mother to three boys (pliri), she is raising the next generation strong in culture, ensuring that pride, resilience, and tradition are lived every day. Her ability to integrate motherhood, leadership, and cultural responsibility makes her an influential figure in community-led initiatives and Indigenous cultural revitalisation.
Bron describes her most fulfilling work as being able to spend time on Country—teaching, healing, and educating through the lens of living culture.
Learn more about Bron's work on the Hart Cultural Connections- Palawa Business Hub
Read more about Bron
Carleeta Thomas
Carleeta Thomas is a proud pakana luna / Tasmanian Aboriginal woman from North East Lutruwita/Tasmania, born on Truwana/Cape Barren Island. Deeply connected to her homeland, Carleeta loves returning to the island for birdin’ with family and draws strength from Country in all she does.
Since 2018, she’s been a cultural guide with Wukalina Walk, and also supports cultural food events with Palawa Kipli. Whether guiding, cooking, or sharing story, Carleeta brings her whole heart to the work.
She is also a passionate and fierce activist, always standing strong to protect Country, culture, and community. Her voice in the fight for justice is bold, unwavering, and deeply respected.
Carleeta was awarded the 2024 NAIDOC Special Achievement Award from the Tasmanian Aboriginal Centre, she features as a main character in the children’s book Little Tasmanian . Her story has been featured in a range of publications over the years, including ABC, Tasmanian.com, Discover Aboriginal Experiences, Woman’s Weekly, just to name a few.
Learn more about Carleeta Thomas's stories on Carleeta Thomas|Tasmanian and Carleeta's book on the About the Book|Little Tasmanian
Read more about Carleeta
Nunami Sculthorpe-Green
Nunami is a Palawa and Warlpiri woman with cultural and familiar ties to both Northeast Tasmania and the Tanami Desert.
A storyteller working across written, visual and performance art. She is interested seasonality and is passionate about cultural revitalisation and Palawa perspectives of place. Her work often examines the layered and overlooked histories of landscapes.
As an artist, Nunami has had work commissioned and exhibited at Contemporary Art Tasmania, MONA, Mona Foma Festival, Ten Days on the Island Festival among others.
In 2025 Nunami was announced as the recipient of the Contemporary Art Tasmania 'Shotgun' program, was the winner of the Tasmanian Aboriginal Writers Fellowship in the Tasmanian Literary awards and had work commissioned by the NGV for an exhibition under the mentorship of Aunty Lola Greeno.
Nunami holds a BA in History and Legal Studies from the University of Tasmania, graduating in 2019 and successfully completed the Associate Fire Practitioner Training Program through the National Firesticks Alliance in 2025. Her work history centres on public education and community development, having held positions at the Tasmanian Aboriginal Centre, the Tasmanian Museum and Art Gallery and the University of Tasmania.
Owner and operator of Blak Led Tours Tasmania, Nunami offers Tasmanian Aboriginal history and cultural tours around Nipaluna/Hobart. Since launching, Blak Led Tours has successfully undertaken contracts for experience and interpretation development and consultation across the island. After launching Blak Led Tours in 2022, Nunami received a Special Achievement award for her work in Truth Telling at the Tasmanian NAIDOC awards and also was named the Tourism Ministers' Young Achiever in 2022.
As an active and involved member of the Tasmanian Aboriginal community since her birth, Nunami has been chosen to represent her community at the state, national and international level. She is the youngest Palawa person ever selected to repatriate ancestral remains and was selected as Young Tasmanian Aboriginal of the year in 2015 at the state NAIDOC Awards. In 2024 Nunami was selected as part of the Palawa community treaty delegation. Nunami is currently the Tourism and Cultural Development Officer at the Tasmanian Aboriginal Centre.
Learn more about Nunami's business on the Blak Led Tours
Read more about Nunami
Janice Ross
Meet Janice Ross, a proud Tasmanian Aboriginal artist whose deeply personal work reveals powerful stories of identity, intergenerational trauma, culture and reconnection to Country.
mina nayri pakana rrala muka nawnta. A strong and proud Tasmanian Aboriginal Saltwater Sister.
I was born in 1969 in Nipaluna/Hobart and live in lutruwita/Tasmania, my homelands.
My family, people of the Bass Strait Islands, Flinders and Cape Barren Island, are direct descendants to our Sealers and our Ancestor Mannalargenna, Chief Warrior of the Trulwulway people in North East of Tasmania. We are the Moon Bird people of the Bass Strait Islands.
I visualise as a Tasmanian Aboriginal artist to expose the lutruwita milaythina/Tasmanian landscape through my eyes, and the Community’s eyes, the connections we have with Country and the experiences that we continue together. The Country shares its story with us.
I am gathering with my Ancestors, by myself or with my family/community and gifted by mother earth through spirit.
I sense these objects as living spirits that are yearning to re-connect to their Community, Culture and Country; all on the cycles of journeys through different concepts and all our life pedagogy as First Nations People.
It is through strong Ancestral memories, and my journey of experiences as a stolen child, that I express a deep connection to Mathinna, her doll, and the pin cushion. My work endeavours to speak of the yearning and sorrow our people have for the return of Mathinna’s artefacts to her mother Country.
Read more about Janice
Sinsa Jo Mansell
Sinsa Mansell is a Trawoolaway muka nawnta pakana woman from larapuna (the Northern region of lutruwita Tasmania) and a proud mother of two. Sinsa is a knowledge keeper in ceremonial dance. She is the co-founder, creative producer, project officer, performer and choreographer with pakana kanaplila, a traditional and contemporary Tasmanian Aboriginal dance troupe.
Dancing statewide, nationally and internationally for well over a decade, Sinsa has been working to reclaim cultural dance within the island state of Tasmania for the past 15 years. Through educational dance workshops, pakana kanaplila aims to create a safe and inviting space to broaden the awareness of the rich cultural heritage and the living ancient traditional practices through song and dance; keeping to traditional Tasmanian Aboriginal culture. Sinsa facilitates open opportunities for the broader community to engage with local First Nations peoples through educational dance workshops, ceremonial performance at a wide range of events, including fun and interactive workshops in schools. She is passionate about creating a greater awareness of Tasmania’s ancient traditions.
Sinsa works nationally and internationally to pioneer ways of reclaiming ancient cultural traditions. Her artforms generate critical awareness of the rich cultural heritage and continuing practices of her ancestors. She is passionate about building opportunities for her community and all first nations peoples to share cultural knowledge in an inviting yet provocative environment for the broader population to gain a deeper understanding.
Sinsa fulfils cultural advisory positions across industries and government bodies from local through to federal levels and sits on adjudication panels across a broad spectrum of the arts sectors.
- Senior Producer @ Performing Lines Tas
- Cultural Advisory Group @ Moonah Arts Centre
- Board Member @Ministerial Arts & Culture Advisory Council
In 2022 Sinsa was named Aborigine of the Year, here is an excerpt from the award presentation:
The Aborigine of the Year is presented to an outstanding leader who enriches our community and who is a strong representative and ambassador of our country, heritage, and culture.
This year's nomination goes to someone with a long record of cultural arts development and achievement. They are a leading aspiration for all members of our community and are an exceptional role model and mentor.
This year's Aborigine of the Year goes to..... SINSA MANSELL
Sinsa is a worthy winner of this award. She has a strong commitment to family and culture and stays true to her responsibilities as a pakana woman. Through performance, dance, and workshops, she raises greater awareness of our rich heritage and promotes respectful cultural protocols and practices. Her deeply emotive performances celebrate our history and stories, specifically the courage and culture of Tasmanian Aboriginal women following the brutal invasion of lutruwita.
Most importantly, Sinsa has volunteered her time, skills, and knowledge to our community.
She stands in front of thousands of people at rallies advocating for our causes.
She performs traditional ceremonies to farewell our ancestors as they return to their final resting places
She showcases our language and connections to our country.
Sinsa's devotion, creativity, achievements, and leadership make her a worthy winner of this award.
Learn more about Sinsa's work on the Palawa Business Hub
Read more about Sinsa
Kitana Mansell
Kitana Mansell is a proud palawa luna / Tasmanian Aboriginal woman from Nipaluna/Hobart and a shining example of the strength, vision, and legacy celebrated in NAIDOC Week 2025.
As manager of Palawa Kipli, a Tasmanian Aboriginal-owned bush food business and a dedicated staff member at the Tasmanian Aboriginal Centre, Kitana is leading powerful work in cultural revival, food sovereignty, and community education. Through catering, bush tucker tours, workshops, and public speaking, she continues to share and strengthen palawa culture across Lutruwita/Tasmania and beyond.
Kitana’s work has gained widespread recognition, with features on Play School’s “What’s Cooking? Bush Foods in Lutruwita,” Gardening Australia, Adventure.com, Left Off the Map, and even a mention in the New York Times in 2024. In 2023, she received the Spirit of Tasmania Tourism and Hospitality Award at the Tasmanian Young Achiever Awards.
Learn more about Palawa Kipli on the Palawa Kipli
Read more about Kitana
Rulla Kelly Mansell
Rulla/Wobana is the spirit of the night owl, Owl dreaming. Rulla is a tulampanga man and custodian of the northern lands and waterways of lutruwita, pallitorree.
Born and raised under Tarinimari(Mt Roland), Rulla is a fresh water, red ochre tribal man (pullawinni), Rulla’s boundaries travel all the way through to his tayaritja islands (Furneaux Islands) roots, moonbird dreaming.
Rulla was born under an Aboriginal birth certificate: the first and only of its kind and in the 1990’s he was the youngest community representative to travel from lutruwita, and live with the Ainu people, the Aboriginal people of Japan as part of a cultural exchange between the Aboriginal community of lutruwita and the Ainu people.
Career
Rulla is an award-winning multidisciplinary artist whose versatility and uniqueness are unmatched. As a founding member of the collective MARLON X RULLA, Rulla achieved rapid success in a short period. In 2023 the duo were New Talent of the Year finalists at the National Indigenous Music Awards (NIMAs) and in 2022 won best Aboriginal or Torres Strait Islander Artist at the South Australian Music Awards. MARLON X RULLA supported Xavier Rudd on a national tour in 2022, opened for Midnight Oil at WOMADelaide and performed alongside the late Archie Roach AC, Briggs and Yothu Yindi. MarlonxRulla were the music directors, producers and composers on the Netflix animation series, Eddies Little Homies’, written by Eddie Betts.
Rulla is currently working on his debut album with multi-award-winning Ngarrindjeri artist and producer, Dan Rankine aka Trials, one half of A.B Original and a member of the iconic Australian hip-hop group, Funkoars.
Personal Life
Rulla is a cancer survivor and founder of Make Runs Maxi, a not-for-profit charity that promotes positive mental health - he was awarded the 2020 Tasmanian Aboriginal of the Year and has also carved out a name in the Australian Rules Football world as a player and coach. The recipient of many individual and team accomplishments, Rulla played across three state league competitions (TSL, VFL, SANFL) and has mentored some of the top end Aboriginal & Torres-Strait Islander talent playing in the national competition (AFL).
Passion
"My passion is to set an example through actions and pass on the knowledge that our path moving forward for ourselves, our future generations and overall health and well-being is to learn and exist within our traditional lores and customs. They live within the connection to your country, your spirit and your dreaming. We are not a past tense, we are present today, as our old people were, then, and we will be the old people to our future generations - that comes with the responsibility of being caretakers of deep time and the stories, songs and lores which have been passed through it."
Reach out to Rulla on Instagram
Listen to Rulla's creation on unearthed
Read more about Rulla
Maggie Blandon
Maggie Blandon is a proud young palawa woman from Lutruwita and the great-granddaughter of matriarch Aunty Ida West . Her work centres around First Nations justice, land rights and return in Lutruwita, climate justice, and human rights as a lawyer, community member, and advocate.
She is the Co-Founder of Naarm Law Students, a grassroots initiative providing community legal education and empowering young people to understand and assert their rights. Maggie is a fierce spokeswoman for the Palawa people in Lutruwita, passionate about empowering Aboriginal youth and women with a focus on gender justice and criminal law reform.
Nominated for an Australian Human Rights Award for her leadership during the 2023 referendum campaign, Maggie was also named Young Tasmanian of the Year but made the powerful choice to decline the award in recognition of January 26 as a day of mourning for many First Nations people.
Walking proudly in the footsteps of her great-grandmother, Maggie carries forward a strong family legacy of activism, bringing strength, vision, and cultural pride to the next generation of Palawa leadership.
If you wish to know more about Maggie Blandon and her incredible work check out the link Maggie Blandon
Read more about Maggie
Emma Robertson
Emma Robertson is a proud palawa woman, mother, Aboriginal Health Practitioner, and multidisciplinary artist whose work reflects deep cultural connection, storytelling, and community healing.
With over 12 years of experience at Karadi Aboriginal Corporation, Emma brings a strong foundation in Aboriginal health, while her arts practice explores themes of identity, Country, and resilience.
Her public artworks—ranging from immersive environmental installations to large-scale murals—celebrate First Nations voices and often invite community participation. Emma is committed to creating spaces, both in health and art, that honour culture, spark dialogue, and support long and healthy lives.
Learn more about Emma's work on the Palawa Business Hub
Read more about Emma
Caleb Nichols-Mansell
Caleb Nichols-Mansell is an early career mixed media artist and the Founder of Blackspace Creative Arts and Cultural Hub. He is a proud Tasmanian Aboriginal man with deep connections to country, community, culture, and spirit which all inform his practice and process as an artist and leader.
Currently living on the north-west coast of Tasmania with his partner, Caleb was born and raised in Launceston with his large and extended family. Caleb went to school first at Mowbray Heights Primary and then later at Brooks High School. After this he completed his first year of post-secondary education at Newstead College before moving on to the University of Tasmania where he studied and later worked for several years.
Caleb has an extensive portfolio in graphic design and digital art and has been commissioned by a number of leading institutes and organisations both within the state and nationally. Stepping outside of his comfort zone, he is beginning to experiment with large scale festival and public art installations as well as site responsive works which will be developed over the coming year.
Delving into and shining light on the politics of identity, land, and cultural heritage his artwork aims to generate conversation and evoke deep thinking whilst providing the broader community with an intimate look at what it means to be Tasmanian Aboriginal man in modern day Tasmania.
Caleb passion and drive was recently recognised at the Tasmanian Young Achiever Awards where he won both the category he was nominated for, the Dental South First Nations Achievement Award as well as the overall, Premiers Young Achiever of the Year Award.
Learn more about Caleb's work on the Caleb Nichols-Mansell
Read more about Caleb